Keeping Everyone Involved in Group Lessons

This article deals with one of the problems that, for many teachers, is the most challenging: how do we keep everyone involved while at the same time, giving due attention to the problems of individuals?

You will find several solutions and discover why this calculation is correct!

. Group Instrumental Teaching III – Keeping Everyone Involved

Music Education’s Love Affair with Literacy (it’s complicated)

There has been much debate recently regarding an article that appeared in The Guardian on March 27th bemoaning the ever-diminishing provision and status of music education in the UK: a valid subject, well worth any number of column inches, given the decline in school music provision not “since 2010, when the baccalaureate was introduced” as the author Charlotte C. Gill states, but since the early 1980s at the hands of Margaret Thatcher[1] and Sir Keith Joseph[2]; a trend that shows no sign of being reversed – at least in terms of government policy. Ms Gill makes some valid points concerning the importance of music education albeit in a confusing and sometimes self-contradictory manner. The two key issues she sees are that music education in the UK has become the preserve of a predominantly white, middle-class, academic mindset (in other words, ‘elitist’) and that teaching with an emphasis on music notation is a dominant symptom of the overly academic approach to musical pedagogy. This, she claims, renders the subject inaccessible and irrelevant to the needs of many if not the majority of school age students. As she puts it, ”music has always been taught in a far too academic way, meaning that theoretical knowledge is the main route to advancement”. In response, there has been an outcry of indignation in the form of a letter published in The Guardian, with several musical luminaries among its signatories, and a plethora of articles and blog posts shared on social media. Several of these demonstrate a clear grasp of the issues surrounding music provision, but others, unfortunately, also contain contradictions and mixed messages even to the extent that, in effect, they lend support to some of Ms Gill’s claims. It is not possible, therefore, to come down firmly on one side of the debate or the other since there appear to be extremely valid points as well as errors and assumptions on both sides. Continue reading “Music Education’s Love Affair with Literacy (it’s complicated)”

Keeping Everyone Involved in Group Lessons

This article deals with one of the problems that, for many teachers, is the most challenging: how do we keep everyone involved while at the same time, giving due attention to the problems of individuals.

You will find solutions and discover why this ‘equation’ is correct!

. Group Instrumental Teaching III – Keeping Everyone Involved

More on Group Instrumental Teaching

11KLAS-tmagArticleIt seems that the recent post and article in defense of group teaching has struck a chord with quite a few readers. However, whilst they did their job in defending the practice of group teaching they didn’t offer too many solutions to the challenges that teachers, especially those new to the situation, can face. Continue reading “More on Group Instrumental Teaching”

‘Classical and ‘Modern’ Music – Are They Really So Different?

 In essence, ‘No!’Portrait Ludwig van Beethoven when composing t...

 The works we know as the classics, the work of composers such as Bach, Mozart, Beethoven, Wagner and others beloved of so many, and the ‘difficult’ music of Schoenberg, Webern, Stockhausen, Boulez, the source of bewilderment for just as many, in fact, share a clear common heritage. Continue reading “‘Classical and ‘Modern’ Music – Are They Really So Different?”

Alternatives to teaching notation early on

Following on from Let’s Make Music…  the article Demonstration, Imitation, Improvisation then Notation,  suggests some alternative ways of getting your students to play musically from the start – without getting tied up reading notation. It goes on to suggest ways of introducing notation when the time is right.

A ‘part two’ to this article will be online soon to develop this further.

Thanks to those who have made positive comments about the articles. Please do keep your feedback coming.

Do beginner musicians need to read music so soon?

It is so often taken for granted (students, parents and teachers) that early music lessons will involve learning to read music. After all it’s essential isn’t it? Well, I’m not so sure it is.

In this article, I discuss some of the pitfalls of insisting that beginners – particularly children – read music before they can play with a degree of fluency. Let’s Make Music…